‘I truly required a break after that!’ The most nerve-wracking television episodes you’ve seen
The 2003 Spooks episode I Spy Apocalypse
The episode begins with the MI5 agents locked down while undergoing a drill about a potential terror incident, supervised by two Home Office agents. As events unfold, it seems an actual attack has occurred with a chemical weapon released. The suspense builds as incoming communications show a catastrophe taking place outside, and escalates as the boss appears to be infected, and the two Home Office officials attempt to leave, forcing Matthew Macfadyen’s character to choose between firing at them or allowing them to leave and endangering the sterile MI5 environment. As this is Spooks, his decision is predictable.
Threads from 1984
Threads had minimal funding but one of the most frightening programmes I have viewed due to its harsh realism and grim official statistics. Saw it not long ago after seeing the first airing; I often attended the bar in Sheffield featured in the show which emphasised the reality and the casual, straightforward government details which was broadcast. Still absolutely terrifying after three and a half decades.
Severance – The We We Are (2022)
The season one finale of Severance ranks highly among intense episodes. I remained for the whole show literally perched nervously, exerting with Dylan to keep his hands on the levers that kept the Innies on overtime, while shouting to the Innies to get their truths out there. The final climactic moment – “she’s alive!” – was like an eruption.
Industry – White Mischief (2024)
Installment five in Industry’s third series had my heart racing. I needed to stop and stand and leave the room several times due to the immense extent of the wanton self-destruction I was witnessing. Rishi Ramdani is in deep shit professionally and personally – up to his eyeballs in debt to illegal creditors because of his compulsive gambling, taking such risks with a bet on sterling which could lose his company millions. Inevitably, he starts a gaming binge, does tons of drugs and drink and alternates between success and failure, gets beaten to a pulp. Each instance you believe it can’t get any worse, it worsens. There is a chance for salvation as the installment closes but he squanders the opportunity, leading to terrible outcomes during the season’s final episode. Certainly required a rest afterward!
Peep Show – Holiday from 2007
Peep Show itself isn’t necessarily a stressful show. However, the Holiday episode contains such levels of cringe that it will make you rise throughout the entire episode, filled with nervousness. It all ramps up when Jeremy and Mark realize needing to deceive regarding the dog they by chance collide with and following tries to eliminate it. You then spend the rest of the episode wondering if it might be more awful than cremation, and it turns out to be!
The West Wing – The Two Cathedrals from 2001
Nothing I have seen has been as tense than the first time I watched the second season finale of The West Wing. The episode starts with the aftermath of the passing (in a road incident) of the president’s private assistant and reaches a crescendo involving a Haitian emergency, and the repercussions of the secrecy about the president’s MS condition, coupled with verification of his aim to run for another term. Superb programming. Never bettered.
Bodyguard – episode one from 2018
The start of the British program Bodyguard, with the protagonist on a train alongside his juvenile boy, is personally a top tense installment. He observes a woman in Islamic attire heading to the toilet and knows something is off. The bomb squad is alerted, board the train, and attempt to convince the woman to discard her bomb jacket. Tension escalates to a practically unendurable point, until yes, the vest is diffused.
Buffy the Vampire Slayer – The Body (2001)
Buffy arrives at her residence to realize her mom has deceased from natural reasons, which is the least common kind of passing in this supernatural show. The episode has no background music, a somber mood, and we witness the episode via the perspective of Buffy’s dismay upon uncovering her mother.
The Sopranos – Made in America (2007)
The concluding moment of the last installment of the show was pants-wettingly tense. And for those who saw it during its initial broadcast, you – at first – weren’t sure why. Tony’s foes, genuine and fictional, had all been defeated. This seems similar to the first season’s finale, right? “Recall the minor details.” Yet the atmosphere is strangely foreboding. Nearly Twin Peaks-like fear. The clan sits in an eatery. Meadow finds a parking spot. Tony sorrowfully notifies Carmela there’s trouble afoot with an additional associate collaborating with the authorities. Meadow secures a parking space. Strange people enter the restaurant. Stare at Tony(?) Meadow parks. Tony plays a track on the music machine. Meadow parks her car. The bell rings, someone enters the restaurant. Can’t be Meadow, she’s still parking. Tony looks up. Don’t stop. It stops. My spirit fell around 20 minutes subsequently.
The Walking Dead – The Last Day on Earth from 2016
I remained awake to view this installment in the early morning. It was incredibly tense after the buildup of bad guy Negan finding the group, cruelly taunting his victims and then keeping the death a mystery (concluded with a suspenseful moment). The victim’s POV shot and the muted audio – ugh! {We then had to wait for season seven|We then needed to await season